The midseason finale, which features the re-emergence of Caitlin's presumed-dead fiancee Ronnie (Robbie Amell) and a Flash/Reverse Flash race throughout Central City, is a narrative high point. Season 1: Episode 9, "The Man in the Yellow Suit" Unlike Oliver Queen's backstory, which has become quite a slog over the course of three seasons, all of the twists and revelations about Barry's past and the Reverse Flash only make the story of the first season more compelling. This is also Wentworth Miller's first appearance as Leonard Snart, aka Captain Cold (Cisco's delight at coming up with super villain nicknames never stops being funny). Her sort-of romance with Barry that blossoms into true friendship is exactly the kind of crossover interaction that binds multiple shows together to make them stronger.
Season 1: Episode 4, "Going Rogue" Felicity Smoak is a strong contender for the best character in any DC-related television series right now, and Rickards had such a good rapport with Gustin on Arrow that it's a delight to see her whenever she pops up in Central City. Martin's performance to the introduction of Cisco Ramon. It's not quite as good as a great character stepping into an already established series like Arrow and making it a lot funnier, but there's a lot to love from the get-go here, from Jesse L. Season 1: Episode 1, "City of Heroes" It would be cheating to tell people just to go back to the backdoor pilot/arc in Arrow to see Gustin's first appearance as Barry Allen, so the actual pilot will have to serve as a stand-in. It's only one season, so there's not much you can skip, but we presume you could gauge for yourself when Iris is being too much of a stereotypical buzzkill while investigating the secret identity of "The Streak." The episode where she intervenes in Barry's love life is probably the worst subplot of the entire season, but if you can stand the occasional frustration, the entire season makes these road bumps worth it.
Barry may be coming into his own as he realizes the potential of his powers, but Wells is the black hole at the center, drawing everything to him for destruction. Every little twist in his backstory shapes the events of the season. This is a guy who is most notable as Ed or JD's brother on Scrubs, and he's turning in the best consistent villain performance on a comic book show, even somehow beating out John Barrowman over on Arrow. But as the season goes on and it becomes clear exactly who Harrison Wells is in the overall Flash history, Cavanagh's performance reveals itself to be much more nuanced and difficult. Initially, he seems like a standoffish, angrily humbled physics genius confined to a wheelchair in the wake of a terrible accident that occurred because of his own hubris.
But the most interesting arc on the show belongs Tom Cavanagh's Dr. Where to Get Your Fix: Amazon, Google Play, PS Storeīest Character to Follow: It's tempting to say Barry Allen since he's the lead, and the maturation of his powers is what everyone else revolves around. And Joe's daughter Iris (Candice Patton) is Barry's childhood best friend, not-so-secret love interest, and most infuriating cast member. Detective Joe West ( Law & Order’s Jesse L. Caitlin Snow (Danielle Panabaker) and Cisco Ramon (Carlos Valdes) play Wells' assistants at S.T.A.R., helping guide Barry in the field and create the technology he needs to apprehend people abusing powers. Labs, the facility that treats Barry in the aftermath of his accident, and remains on the lookout for all the people given supernatural powers in the wake of the reactor explosion.
But what really sets The Flash apart is its supporting cast, which unlike Arrow or even S.H.I.E.L.D., didn’t take a full season to coalesce.
He's instantly likable and buoyant, even when he's mourning his mother's death and his father's incarceration for her inexplicable murder. Grant Gustin (previously of Glee) is Barry Allen, a forensic crime scene assistant gifted with super speed in the aftermath of a reactor explosion in Central City. In a comic book superhero landscape that values wit and charm but mostly goes as dark as possible with its plots, it’s a refreshing blast of breezy entertainment.
Imagine for a minute if Tim Story’s Fantastic Four movies replaced Reed and Sue with actors who had even an iota of a sense of humor and that's something close to the tone The Flash strikes.